‘Ambiguity Space’ Guanghui Art Museum International Public Art Project
This international public art project is curated by Professor Yin Dan, vice dean of the College of Arts and Humanities of Sichuan Fine Arts Institute, distinguished professor and critic of Samyuk University and Chongqing University of Arts and Sciences. T
Introduction to the Exhibition
With the mission of "serving the country with industry and revitalizing Xinjiang with industry", China Grand Group has made great efforts in governance and has been ranked among the world's top 500 enterprises for five consecutive years. Meanwhile, it has accumulated a lot in cultural undertakings. It has invested and founded The China Grand Art Museum located in Tianfu New District, Chengdu City. After five years of careful preparation and construction, a large international museum, integrating exhibitions, academic research, public education and collection, with contemporary principles, innovation as the goal, history as the mission, culture as the accumulation and research as the basis, has emerged: The total construction area of the museum is 71,840 square meters, with the main building covering 43,685 square meters. The museum consists of 8 professional exhibition halls, constant temperature and humidity storage, simultaneous interpretation academic lecture hall, literature center, multi-functional LAB hall, VIP room, art bookstore, art tea restaurant, underground parking garage and other supporting facilities.
The Guanghui Art Museum, with its floating art box as its metaphor, is about to set sail. At 4pm on January 21, 2022, Guanghui Art Museum's international public art project -- Fuyi Space officially opened.
Gallery director Zhang Gefang spoke first, she stressed gallery grasps "GuangYu HuiMei, art for the people" concept, based on the professional research and good collection, will focus on Chinese ink painting art research, at the same time in the open field of vision and the pluralistic artistic ecology, actively participate in the construction of future urban cultural landscape, Strive to build an international and contemporary urban public art museum.
Later, Huang Zongxian, dean of The College of Arts and Humanities of Sichuan Fine Arts Institute, made a speech. He pointed out that this exhibition is an important event of contemporary art in Chengdu and Chongqing, but it is only a beginning, and the cooperation between the two places will continue to open up new fields. He expects CMG to actively intervene in China's art field, become the cultural name card of Chengdu, and create a new spiritual space for chengdu citizens.
Mr. Li Wenqiang, General manager of China Grand Logistics and Chairman of Chengdu Shuxin Co., LTD., expressed his sincere thanks to the guests. He outlined the history and recent development of China Grand Logistics Group and expressed the great importance of China Grand Group to art museums and cultural industry. And announced the opening of CGM International Public art project "Fuyi Space".
Ambiguity space art public
This international public art project is curated by Professor Yin Dan, vice dean of the College of Arts and Humanities of Sichuan Fine Arts Institute, distinguished professor and critic of Samyuk University and Chongqing University of Arts and Sciences. The concept of "ambiguous space" is derived from his observation and reflection on the architectural community space of Guanghui Art Museum: Outline of the main architecture of the gallery space between clear and complex, the main structure of the cube prototype is impressive, stylist is through a variety of methods to build the structure of the composite - the relationship of contrast, such as, to realize the building and the surrounding green square blending symbiotic, interspersed with mutual permeation, break the private space and public space, and other various social segregation, art and reality become complex righteousness space, And thus brings intuitive poetry.
Indeed, it is the first time in recent exhibitions in Chengdu that space and publicity are reflected throughout the exhibition. The artists, sculptors sculpture of sichuan province association, Deng Le held before the exhibition "the singularity month" round table on the BBS, along with the development of The Times, China's public space and public art has undergone some changes, the "double room" is put forward for public art to rethink, as an artist, It is necessary to understand that Chinese public art is not only artistic, but also public. Publicity requires further consideration of the relationship between audience, works and space, and cannot be confined to a fixed space.
Walking out of the "white box" space of the museum and into the green Space square where the project is located, the curator and the artist's guided tour will allow the audience to truly feel the connotation of the exhibition based on the background of "complex meaning" : Feng lu's "Babylon", "Pinocchio", Tang Yong "residual landscape", the "backbone", Luo Zhenhong LouJin he cloud "children and cloud", the "rain", juck Shen Lieyi neutral object and other work, is a monomer slant static sculpture, installation, works to express the concept and implementation of site formation works echo.
Deng Le's "Scenery along the Way", Deng Xiao's "Thinking Space", He Liping's "This Mode of Production Looks Like Art 2", Jin Juntai's "WOAINI", Ren Rong's "Homeland" and other works have a strong sense of space expansion and theater, with great visual tension.
Chen Gang's "The Stir", Li Rubi's "Endless Pulse" and "Posture of Dreams", Zhang Qikai's "Fangtai" and "Heng", Yang Fangwei, Zhang Jin and Luo Ke's "Meet in Time" and other works are more evocative and public participation, and the audience can participate in the interaction with the works without hinders.
This international public art project of Guanghui Art Museum reflects the thinking and practice on the space and functions of art museums: A contemporary and international "public art museum" needs to break out of the established model of classical "temple" and modern "white box" in order to realize its triple functions of aestheticization, education and historicization, and try another road of open time and space to return to "life aesthetics". To become a shared institution and space of development jointly conceived, constructed and created by various parties.
Commercial overlap art symbiosis
When the museum breaks through the traditional closed mode of "white box" with an open attitude, the "complex meaning space" with rich connotation breaks the boundary line is created one after another, and thus builds a diversified spatial ecosystem -- Guanghui Xuelian Tianfu Project. This project plans the integration of production, ecology and life, integrates the cultural and art resources of Guanghui Art Museum, and creates an industrial ecological art circle -- INK Aesthetic Space. Relying on guanghui Art Museum and INK aesthetic space, with the spatial layout of "East Corridor Xili", Guanghui Xuelian Tianfu Project will strive to create future-oriented art business and bring a new pan-art life scene to the new urban area.
At the same time as the international public art project, the first cultural X commercial "INK & LINK Commercial Overlapping Art Co-existence" event press conference was also held in Guanghui City Art Experience Center at 2pm on January 21st.
Du Xinyu, party member and deputy director of economic Bureau of Sichuan Tianfu New District Headquarters, delivered a speech on stage. He believed that INK aesthetic space would uphold the advanced concept of combining culture and art with business, and convey the link of new consumption scenes and content of park City business with culture and art as the core.
Shuxin Party Secretary Hua Shusheng shared the development and strategic planning of the company, looking forward to the completion and operation of guanghui Second Headquarters in Tianfu New Area and the opening of Guanghui Art Museum this year. He firmly believes that CBC's love for art and the new district will radiate the new vitality of art business in Tianfu New District.
Urban aesthetics art future
A series of activities are organized under the theme of "INK & LINK" to outline the growth path and development blueprint of a grand project: Starting from INK, the precious collection of modern and contemporary INK art is the origin of the birth of the museum, the cornerstone and core of its growth, but it is not the only direction and path. The museum will uphold a broad vision and a front-end vision to participate in the construction of art ecology. Born of LINK, "LINK" is the weapon of this era. The world is entering an era of "hyperlink". Changes are happening more and more rapidly and affecting every industry and every person.
In the "East Corridor Xili", which is shaped by the Art Museum and Xuelian Tianfu, gradually launched exhibitions, activities and experiences will constantly activate and link the "complex meaning" space and people, and build a new relational aesthetics. The diversified space presenting the aesthetics of The Times is being continuously produced. Resonant city, full of vitality of the polymorphic landscape is being implemented one by one; Looking into the future, space still has infinite potential and possibilities to be triggered and shaped.
"Art is a state of meeting" (Nicholas Beriod). "Friends of art", look forward to your joining us.
